Kim Roberts is the author of A Literary Guide to Washington, DC: Walking in the Footsteps of American Writers from Francis Scott Key to Zora Neale Hurston (University of Virginia Press, 2018), and editor of two anthologies, By Broad Potomac’s Shore: Great Poems from the Early Days of our Nation’s Capital (University of Virginia Press, 2020), and Full Moon On K. Street: Poems About Washington DC (Plan B Press, 2010).
Kim is also the author of five books of poems: The Scientific Method (WordTech Editions, 2017), Fortune’s Favor: Scott in Antarctica (Poetry Mutual, 2015), Animal Magnetism (Pearl Editions, 2011), The Kimnama (Poetry Mutual/Vrzhu Press, 2007), and The Wishbone Galaxy (Washington Writers Publishing House, 1994).
Individual poems of hers have been featured in over 40 anthologies, including 101 Jewish Poems for the Third Millennium (Ashland Poetry Press), This is What America Looks Like (Washington Writers’ Publishing House), Written in Arlington (Paycock Press), Endlessly Rocking: Poems in Honor of Walt Whitman’s 200th Birthday (Unbound Content), Fire and Rain: Ecopoetry of California (Scarlet Tanager Press), Nasty Women Poets: An Unapologetic Anthology of Subversive Verse (Lost Horse Press), The Crafty Poet II (Terrapin Books), Capitals (Bloomsbury Publishing), Resisting Arrest: Poems to Stretch the Sky (Jacar Press), The Southern Poetry Anthology, Volume VII: North Carolina (Texas Review Press), The Bloomsbury Anthology of Contemporary Jewish American Poetry (Bloomsbury Publishing), Sunken Garden Poetry: 1992 – 2012 (Wesleyan University Press), Letters to the World (Red Hen Press), American Poetry: The Next Generation (Carnegie Mellon University Press), The Bedside Guide to No Tell Motel (No Tell Books), and The First Yes: Poems About Communicating (Dryad Press).
Kim has published widely in literary journals throughout the US, as well as in Israel, Canada, Ireland, France, Brazil, and New Zealand. She has been included in journals starting with every letter of the alphabet, including: About Place Journal, Barrow Street, BOMB, CakeTrain, Carolina Quarterly, Confrontation, Denver Quarterly, Gargoyle, Grain, Hawai’i Review, Huntington Literary Quarterly, Malahat Review, New Letters, Ohio Review, The Quarry, Sonora Review, The Southern Review, Southwest Review, Stand, Tikkun, Verse Daily and Virginia Quarterly Review. Her poems have been translated into Spanish, Portuguese, German, and Mandarin. She has been featured in the Wick Poetry Center’s Traveling Stanzas Project, in the Academy of American Poets’ Poem-a-Day Project, and in podcasts sponsored by the Library of Congress and the National Endowment for the Arts.
Kim is the founder of two literary journals. She established Beltway Poetry Quarterly in 2000 (and served as editor of the journal through the end of 2019). And she co-founded of the Delaware Poetry Review in 2007 (which published through 2017).
Kim is the recipient of grants from the National Endowment for the Humanities, the DC Commission on the Arts, and HumanitiesDC. She has been awarded writer’s residencies at eighteen artist colonies and retreats, including: Art Omi International Artists Retreat, The Pine Needles Fellowship at St. Croix Watershed Research Station (sponsored by the Science Museum of Minnesota), Soul Mountain Retreat, the Edward Albee Foundation, Hambidge Center for the Creative Arts, Kimmel Harding Nelson Center, Helene Wurlitzer Foundation, Mesa Refuge, Ucross Foundation, Ragdale Foundation, New York Mills Arts Retreat, Virginia Center for the Creative Arts, Blue Mountain Center, and the Millay Colony for the Arts. She also has been awarded a Rose Library Research Fellowship at Emory University.
Literary historian of DC authors
Kim’s popular book, A Literary Guide to Washington, DC, combines walking tours with portraits of some of the capitol’s most significant writers, as well as excerpts of their work. She continues that celebration of the capital city’s literary history with the anthology By Broad Potomac’s Shore: Great Poems from the Early Days of Our Nation’s Capital. Both books were published by the University of Virginia Press.
Kim is well known for her extensive research on writers with ties to Washington, DC. She co-edits the web exhibit DC Writers’ Homes with Dan Vera (first published in December 2011 and updated regularly). She worked with the DC Public Libraries to conceptualize DC By the Book, an online, interactive map of fiction set in Washington, DC. HumanitiesDC commissioned Kim to write a limited-edition, nonfiction chapbook, Lip Smack: A History of Spoken Word in DC, in conjunction with their 30th anniversary (Beltway Editions, 2010). For four years, her popular walking tours were an annual feature of The Big Read DC, a program sponsored by HumanitiesDC and the National Endowment for the Arts.
Kim regularly gives literary walking tours of DC neighborhoods to schools and nonprofit groups. Her tours have been featured at Split This Rock Poetry Festival, and the DC Historical Studies Conference. In 2019, she was the Festival Director of the Walt Whitman 200 Festival, sponsored by HumantiesDC. Her research on Walt Whitman’s ten years as a resident of Washington has been published in The Walt Whitman Quarterly Review, as well as being featured in articles in The Washington Post and The Washington Times, on radio programs on WAMU-FM and WPFW-FM, and in panel presentations at Rutgers University and the Kennedy Center for the Performing Arts.